Updated February 17th, 2021: Nike SNKRS has granted exclusive access to the shoes for 12pm ET on February 17th, 2021. Peep an in-depth look here, and find these dropping on and through raffles at the retailers listed here below. Moreover, just above the Air bubbles you’ll find a textual hit that involves a long set of numbers as well as the Fragment moniker. Towards the rear, you’ll find appropriate Fragment logos layered below the translucent Jumpman mold, as well as atop the lateral rear in embossed fashion. UPDATE 8/31: Additional on-feet photos via. The sneakers white midsole has the colourways. Price: 200 UPDATE 9/2: Nike releases official photos of the Fragment x Air Jordan 3 that launches on September 17th for 200 USD via SNKRS. The akrostolion is frequently held by figures on coins see also the female figure, perhaps Nike, holding two aphlasta on a fragment of a red-figure votive. Sans any cement print that we’re used to seeing on the silhouette, this iteration, save for the smooth black leather mudguards, is cowled in crispy white exteriors along the uppers, laces, and treading. typically appears on a Jordan 3 with plush black leather embossed with the Fragment lighting bolt logo. And now, Fujiwara is revisiting his relationship with the Jumpman this month to proffer up one of the most anticipated releases of the year that includes a full range of apparel, the Jordan Air Cadence, and the Air Jordan 3.Ĭertainly the most cherished of the capsule is the retro AJ3, and it’s ultra-clean execution is signature of the Fragment Design language. There Air Jordan 3 Retro Fragment White Black adopt a monochrome white base in grained leather sublimated by a black mudguard, this time in smooth leather. Hiroshi Fujiwara, perhaps the godfather of the modern day fashion collaboration, is in cahoots with Jordan Brand once again on the Air. In terms of collaborations, the one they call the “godfather of the Ura-Harajuku fashion scene” is notoriously known for his Fragment Air Jordan 1 - which happens to be listed at over $5K in most sizes on the secondary market right now - but he’s kept somewhat active in terms of sneaker projects over the past year through an Air Force 1 with CLOT, and more recently the fragment Moncler Chuck 70 collection. This item is final sale and not eligible for return.One of the more attention-capturing creatives within the realm of sneakers today is Hiroshi Fujiwara who helms the ever-popular and mysterious Japanese imprint Fragment Design.White tumbled leather upper with black leather overlays.The back of the heel features a translucent Jumpman logo and Fragment's lighting bolt logo. These Air Jordan 3 Retro Fragment sneakers are a design conjured up by Hiroshi Fujiwaras design studio and the Jordan Brands 3rd signature sneaker. The colorway, style code and release date are printed on the white midsole. We Pride Ourselves in 100 Authentic, Original and Legitimate Products Buy with Confidence DistriSneaks Recommended Fitting: True to Size Code: DA3595-100. The shoe features white tumbled leather uppers with black leather overlays embossed with the Fragment lighting bolt logo. Fujiwara, known as the godfather of the Ura-Harajuku fashion scene, designed the shoe with his signature minimalist look. Jordan Brand collaborated with Hiroshi Fujiwara's design label, Fragment Design, to create the Air Jordan 3 Retro SP. One of the most notable features of the Air Jordan III is the iconic Air Jordan ‘Jumpman’ logo on the tongue. Though just in the beginning of his career Hatfield would become one of the most influential sneaker designers of all time. Godfather of streetwear Hiroshi Fujiwara himself has just shown off a sample pair of Jordans, in what sneakerheads everywhere will surely covet as the next collaborative grail between the duo: a. The Air Jordan III, notably, is the first Air Jordan to feature ‘Visible Air’ in the form of an air pocket under the heel. Hatfield designed the shoe in close collaboration with Jordan, addressing the player’s request for a more lightweight modern shoe. The Air Jordan 3 is credited with keeping Michael Jordan at Nike after the original Air Jordan designer Peter Moore left the company.
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They had producer Trevor Horn and Yes bassist Chris Squire attend their concert at Wembley Arena with the prospect of choosing one of them to produce. They met Steve Lillywhite, who initially agreed to the project, but he backed out two weeks before the band was to start rehearsing, as he'd decided to work with Simple Minds instead. The search for a new producer began during Rush's 1983 European tour, where the band met several candidates during their visit to the UK. Brown receives a tribute in the liner notes of Grace Under Pressure in French which translates to "And always our good old friend." Peart recalled that the split was tough for both parties considering the length of time they had worked together, but that they split on good terms. The group wished to explore different approaches and techniques that someone else might offer which in turn would develop their sound but stressed that the change did not suggest any dissatisfaction in Brown's production. At the beginning of the Signals tour in April 1982, Rush met with Brown in Miami to inform him that the band had decided to work with a different producer. Grace Under Pressure is the first Rush album that was not produced by Terry Brown since its 1974 debut effort. News stories from the Toronto-based newspaper The Globe and Mail inspired some of the lyrics on the album, particularly " Distant Early Warning," " Red Lenses" and " Between the Wheels." Peart wrote that they came up with "Between the Wheels" on the first night and, after a few days, "Kid Gloves" and " Afterimage." In three weeks, the group had assembled a demo tape of the aforementioned tracks along with " Red Sector A" and "The Body Electric." Development then paused in September 1983 while Rush performed five nights at Radio City Music Hall in New York City, after which the band resumed album rehearsals. The band adopted its usual working method of Geddy Lee and Alex Lifeson working on music while Neil Peart worked on lyrics. The sessions were productive, partly due to the set amount of time they gave themselves to work in and that studio time had already been booked. The group reconvened in mid-August to write and rehearse new material for a follow-up in a lodge in Horseshoe Valley in Barrie, Ontario. In July 1983, Rush ended its 1982–1983 tour of North America and the UK in support of its previous album, Signals (1982). Grace Under Pressure reached number 4 in Canada, number 5 in the UK, and number 10 on the U.S. After some difficulty finding a suitable producer who could commit, the album was recorded with Peter Henderson. The new material accentuated the group's change in direction towards a synthesizer-oriented sound like its previous album. The band had decided to not work with longtime producer Terry Brown, who had collaborated with Rush since 1974. After touring for the band's previous album, Signals (1982), came to an end in mid-1983, Rush started work on a follow-up in August. Grace Under Pressure is the tenth studio album by Canadian rock band Rush, released Apon Anthem Records. For more information on joining L&HCA and our services please click here. Our Leather Research Laboratory, hosted at the University of Cincinnati, provides support as well as essential assistance to our members and the industry as whole covering testing needs, educational programming and wider technical resources.Īll materials are provided in regular releases and reports and our team can be consulted directly by our members. It brings together some of the most prestigious design and fashion colleges and their students from around the world encouraging entrants to learn about, and work with, leather creating a new generation of influential ambassadors for tomorrow. Stay Different’, launched in 2019, is a fast-growing international design competition. Bringing together designers and fashion students, stylists and photographers it provides a platform through website and social channels to engage and educate consumers around the world about leather and to position it as a natural product that has always been, and continues to be, aspirational. Our international consumer outreach campaign looks to the future of US leather as a beautiful and sustainable material. Upholstery leather hides are generally big, soft and perfect for creating chairs, tables, puffs, sofa, carpet, armchairs, furniture, automotive interiors and. L&HCA is at the forefront of the industry’s needs, providing the industry and stakeholders with education and technical information to compete in today’s global marketplace. L&HCA is a cooperator organization under the US Department of Agriculture’s foreign market development and market access programs, assisting US firms to develop new markets for agricultural exports and to provide the insights and support services necessary for success.Īs well as promoting the quality of US-sourced products, we also lead the way working to establish and promote best practice in leather production, to set new international standards in sustainability and traceability, and to promote those values to stakeholders around the world. The association provides its members with government, public relations, and international trade assistance and support. The L&HCA is a full-service industry trade association. Discover high quality durable bags, belts, wallets & more, handcrafted with passion. The result was a powerful new voice for the sector, a trade body representing the interests of some 75 member companies, large and small, ranging from meat packers and hide processors, to leather tanners and finished leather goods producers, in the US and around the world. Shop premium handmade full-grain leather goods at HIDES. The Leather & Hide Council of America (L&HCA) was established in 2020 following the merger of two of the US’ oldest industry associations, the United States Hide Skin and Leather Association, founded in 1979, and the Leather Industries of America, founded in 1917. As a reaction to the increased dryness, patients suffering from this condition generally experience excessive tear production ( watery eyes), and often feel as though they have a foreign body trapped in their eye. Patients with lagopthalmos will often suffer from dry eye syndrome, and are vulnerable to corneal abrasions. Some doctors believe that the incidence of lagophthalmos is on the rise, possibly due in part to the increasing prevalence of surgeries such as blepharoplasty, which can cause lagophthalmos (or exacerbate an existing case) if performed incorrectly.īlepharoplasty is performed in order to correct the appearance of droopy eyelids, whether for medical or cosmetic reasons, but if too much skin is removed from the eyelid, lagophthalmos can result. Bell’s palsy, a poorly understood form of facial palsy and frequent cause of lagophthalmos.Damage to any of the layers of tissue that comprise the eyelids.Möbius’ syndrome, a rare, congenital disease that frequently causes facial palsies.Graves’ disease and other related thyroid disease.Trauma-for example, a facial laceration or a blow to the head that fractures the base of the skull, or a punch in the jaw that fractures the mandible.The function of this nerve can be impaired by: The most common cause of lagophthalmos is a malfunction of the facial nerve (also known as the seventh cranial nerve), which controls the movement of both the muscles that raise the eyebrows and the ones that close the eyelids. How long can you keep your eyes open without blinking?Īfter that, you can feel your eyes begin to dry out, and the urge to close them becomes overwhelming. Some people are unable to close their eyelids completely, however these people suffer from a condition known as lagophthalmos. Adding a teaspoon or two of Cajun seasoning would also spice things up. If you prefer a spicier flavor try swapping the cheddar cheese called for in this version with some pepper jack cheese. The cheese in this recipe adds a nice creamy texture and richer taste, but doesn't make the casserole taste "cheesy".If you find the sweetness of corn itself enough, simply omit the added sugar. Though it could be called similar to stuffing, this slow cooker corn casserole recipe is a little sweet.Here are a few simple variations of the Crock Pot Corn Pudding Casserole you may like. Check to make sure the center is fully cooked through before shutting the Crock Pot off. Then dump in your pudding mixture.Ĭover and cook on high for 2 ½ hours. The prep work for this recipe is very quick and easy.Ĭoat the inside of a slow cooker with non-stick cooking spray. and of course a 6 quart slow cooker (or larger) Preparing the Crockpot Casserole 1 box Jiffy cornbread mix 6-7 ounce package.1 cup shredded cheddar cheese mild to sharp ( I prefer sharp cheddar cheese).The printable recipe card can be found below, so feel free to jump down if you prefer.Ĭasserole prep time 5 minutes | cooking time 2-3 hours on high What You Will Need: Here is a visual guide to preparing this easy to make Crock Pot Corn Casserole recipe with pictures. To suit modern tastes other seasonings and ingredients are also often added ( see variations below). Corn pudding is a blend of the two, mixed with typical European custard ingredients. Native Americans made a simple version from fresh corn cob scrapings and the dried corn meal was made into corn pone. Origin of the Corn Casseroleįorms of this dish have been around in some form for centuries. You could serve with any family dinner! Try it with my Crock pot Chicken Thighs or Air Fryer Chicken Drumsticks. It's certainly a versatile comfort food recipe and well suited to additions. After all slow cooking is a method that doesn't heat up your house in summer months. It is also a popular side dish to serve with barbecue and at potlucks and picnics. This slow cooker Corn Pudding Casserole is not just served during the holidays though. That’s because they are reductions of what they represent. Stick with it, and you’ll find that your ability to understand reality, make consistently good decisions, and help those you love will always be improving. To help you build your latticework of mental models so you can make better decisions, we’ve collected and summarized the ones we’ve found the most useful.Īnd remember: Building your latticework is a lifelong project. You’ve got to hang experience on a latticework of models in your head.” You may have noticed students who just try to remember and pound back what is remembered. And you’ve got to array your experience both vicarious and direct on this latticework of models. If the facts don’t hang together on a latticework of theory, you don’t have them in a usable form. In a famous speech in the 1990s, Charlie Munger summed up the approach to practical wisdom through understanding mental models by saying: “Well, the first rule is that you can’t really know anything if you just remember isolated facts and try and bang ’em back. Sharing knowledge, or learning the basics of the other disciplines, would lead to a more well-rounded understanding that would allow for better initial decisions about managing the forest. None are wrong, but neither are any of them able to describe the full scope of the forest. When a botanist looks at a forest they may focus on the ecosystem, an environmentalist sees the impact of climate change, a forestry engineer the state of the tree growth, a business person the value of the land. If we’re only looking at the problem one way, we’ve got a blind spot. By putting these disciplines together in our head, we can walk around a problem in a three-dimensional way. A biologist will think in terms of evolution. A psychologist will think in terms of incentives. By default, a typical Engineer will think in systems. Each specialist sees something different. Instead of a latticework of mental models, we have a few from our discipline. It turns out that when it comes to improving your ability to make decisions variety matters. The more models you have-the bigger your toolbox-the more likely you are to have the right models to see reality. The quality of our thinking is proportional to the models in our head and their usefulness in the situation at hand. We cannot keep all of the details of the world in our brains, so we use models to simplify the complex into understandable and organizable chunks. Mental models are how we simplify complexity, why we consider some things more relevant than others, and how we reason.Ī mental model is simply a representation of how something works. Not only do they shape what we think and how we understand but they shape the connections and opportunities that we see. The moment magnitude provides an estimate of earthquake size that is valid over the complete range of magnitudes, a characteristic that was lacking in other magnitude scales.Mental models are how we understand the world. The result is called the moment magnitude. The moment is then converted into a number similar to other earthquake magnitudes by a standard formula. The moment can be estimated from seismogram s (and also from geodetic measurements). Moment is a physical quantity proportional to the slip on the fault multiplied by the area of the fault surface that slips it is related to the total energy released in the earthquake. In particular, for very large earthquakes, moment magnitude gives the most reliable estimate of earthquake size. In its range of validity, each is equivalent to the Richter magnitude.īecause of the limitations of all three magnitude scales (ML, Mb, and Ms), a new more uniformly applicable extension of the magnitude scale, known as moment magnitude, or Mw, was developed. Each is valid for a particular frequency range and type of seismic signal. These include body wave magnitude ( Mb) and surface wave magnitude ( Ms). In order to take advantage of the growing number of globally distributed seismograph stations, new magnitude scales that are an extension of Richter's original idea were developed. This is what was to eventually become known as the Richter magnitude.Īs more seismograph stations were installed around the world, it became apparent that the method developed by Richter was strictly valid only for certain frequency and distance ranges. This magnitude scale was referred to as ML, with the L standing for local. The idea of a logarithmic earthquake magnitude scale was first developed by Charles Richter in the 1930's for measuring the size of earthquakes occurring in southern California using relatively high-frequency data from nearby seismograph stations. Earthquake size, as measured by the Richter Scale is a well known, but not well understood, concept. Watch GIA’s 4Cs video: GIA Diamond Color Grading to follow a diamond through the GIA color grading process. But do you know how a diamond actually gets assigned a color grade? Just as GIA developed the D-to-Z color scale, it also established the grading methods and best practices for evaluating diamond color. Now that you’ve seen the official GIA Color Scale and worked with the interactive diamond color chart, you have a better understanding of the grading terms and how these relate to diamond color. Ideally, pair diamond colors of D, E, or F with clarity grades of F (flawless), IF, VVS1, or. Within the D-to-Z range, when all other value factors are equal, colorless diamonds are the most valuable.ĭownload the GIA app to access the Official GIA Color Scale and take it diamond shopping to help you identify the differences in a color grade. Diamond Color and Recommendations for Other Diamond Qualities. The color evaluation of most gem-quality diamonds is based on the absence of color. Do you notice the subtle color change from one grade to another? Move the bottom slider left and right on the color scale to become familiar with the level of colorlessness associated with each grade. This interactive color scale tool can help you see the differences in color. That said, these seemingly subtle distinctions can significantly affect diamond quality grading, and of course, price. With diamonds, color distinctions are so subtle that they are often not noticeable to the untrained eye. The 23 color grades on the GIA Color Scale (or diamond color chart) are subdivided into five subcategories, which are: colorless (D-F) near colorless (G-J) faint (K-M) very light (N-R) and light (S-Z).Įach letter grade has a clearly defined narrow range of color appearance. The GIA scale begins with the letter D, representing colorlessness, and continues with increasing presence of color to the letter Z, representing light yellow, light brown or light gray. GIA developed the definitive diamond color scale or chart in the early 1950s, a time when there were a lot of different and subjective terms in the marketplace for describing a diamond’s color: white, blue white, AAAA, for example. In this post, you can learn about and download the official GIA Color Scale, work with an interactive diamond color chart to see the relationship between grades and colors, and watch a useful GIA Diamond Color Grading video to see how GIA evaluates diamond color. (K, L, M) The absence of color is what determines the diamonds grade and value, as well as has a significant impact on its appearance. Recommended Body Weight For Twilight Mattress It is noted for being a medium-level firmness that is good for those who sleep in various positions. This implies it is quite comfortable and uses a relaxing sleeping experience when established. This mattress comes with a firmness ranking of 6.5. This is also due to the density varying between 10-12 inches. This is due to how it deals with the curves of the body and helps disperse the weight uniformly throughout the mattress. It also provides excellent relief for those who deal with discomfort in their hips, neck, shoulders, and back. While the high-density foam is terrific for handling drooping and including to the mattress and its resilience. The steel coils are likewise helpful for making the most of movement on the bed and will guarantee the bed mattress has good movement too. This ensures the mattress remains cool throughout the night even during the hottest of days. This gel-infused foam is excellent due to the fact that it offers stable assistance throughout the ventilation and the night is great in managing caught heat that enters the mattress. The ventilation is established in a way to make it pleasurable to utilize and it likewise has integrated open-cell foam, while likewise supplying access to steel coils and a high-density assistance foam too. This has to do with the memory foam that is instilled with gel. It is comfortable to the touch due to its 3-layer material. When it comes to the overall style, the mattress is valued for being robust. 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I loved it! PRICING: Very reasonable! Though we opted for the $7.95 lunch special and walked out with a bill under $30, even the regular menu items seemed more than fairly priced. It comes out neon green and tastes coconutty. Also, if you're craving a really tropical/refreshing new drink, order the Pandan Special Drink. The fresh lumpia is refreshing and addicting. Pickled papaya, carrot and mango left me desperately seeking a recipe! My husband ordered the pork-chop, which was smothered in a beautifully thick glaze, mildly sweet. And the side vegetable certainly wasn't the typical after-thought here. The adobo sauce was just what I was craving. Although the above three are the standard ingredients, tapioca pearls or sago, kaong, and nata de coco are also commonly added. YUM! The meat was tender and crispy and flavorful, just like my father-in-law makes. Buko Pandan is a Filipino cold dessert made of jelly cubes, young coconut, and sweetened cream infused with pandan or screwpine flavor. I, always feeling compelled to try a new Adobo, of course ordered Combo5, "Adobo Flakes w/ a side of Pancit Bihon". We opted for the lunch special, (which only cost $7.95). FOOD: Heart-warming, traditional Filipino comfort food. Another element of our lunch experience that would keep me coming back. SERVICE: Very attentive and very friendly. Great for couples, families, business and even small groups (up to 8 before needing a reservation). This place is decorated tastefully with just enough artwork/mirrors on the walls, and an exotic array of plants. I never thought such a bright orange would work on any wall, but it certainly does here. I really loved this place! The lunch specials will keep me and my husband coming back regularly! ATMOSPHERE: A medium-small dining space that is very open and airy. A lot of filipinos would say this place is pricy but i think you get what you pay for, the service and ambiance is much better than most filipino places, which tend to have some good food but lack any sort of decor. It has everything you would never expect to taste good together in there and it is geat. Buko means young coconut, and Pandan is a screwpine leaf, sometimes considered to be the vanilla of southeast cooking. If you want the whole immersion, try the halo halo (translation: mix-mix) ice cream mish mash. Deserts are traditional filipino, cakes and ice cream. Most of the pork dishes are very savory as long as you are not afraid of the richness (fat). Ask for a little red pepper flakes on the side and you can dose the heat appropriate to your taste to balance the coconut base. Having said that, the chicken gata is my absolute favorite dish. If you chicken out of the filipino dishes, there are several thai items that are good. The soups are always very tasty, even the clear broth they give you is simple but a nice start. Most of the appetizers are excellent, especially the standard "lumpia shanghai". And even some things i would think i would have liked are quite good. Filipino food isnt always my favorite food but i have really found some gems on the menu. My wife is filipino so i was initially sort of brought here. Perhaps I’m just simple-minded, but a scene where the perspective zooms in on a puzzled worm made me laugh more than I care to mention. Whether you’re playing hide and seek with a rock, telling moody baby birds to return to their mother, or rolling around a worm who drank too much toxic waste, Pikuniku dares you not to smile through it all. What resonates most about Pikuniku is its sense of humour, it never taking itself too seriously as you roll around and bump into oblivious villagers and robots that think sunglasses make you cool. These are simple models that act as collectibles, so there is some added scope for completionists who may be underwhelmed by the playtime. There are opportunities to find secrets in the environment, which you will almost certainly manage as you search around the enclosed spaces for key items. Most of Pikuniku is like this - finding weird thing A to use on weird thing B - and it create a linear but enjoyable experience with solutions never far out of reach, despite some bumbling around. The majority of Pikuniku’s gameplay revolves around finding items to reach new areas, a fairly early sequence tasking you with drawing a face on a scarecrow after finding a pencil hat. Pikuniku plays like an interactive cartoon, a Nickelodeon cult favourite where the main character goes around griefing people and chatting to worms. The puzzles are nothing too intensive either and can be bested without your brain having to get out of second gear, and this is coming from someone who breaks out in a cold sweat when even thinking about The Witness. There are few opportunities to fail and even then the checkpointing will send you back just a few seconds at most. Pikuniku is an adorable adventure, its bright colours and cheery soundtrack pairing well with the game’s silly tone to create a refreshing and undemanding time. Pikuniku opens up slightly after this, allowing you to talk to more people and even take part in a mini-game or two, all while you have a spring in your step - it’s hard not to be won over by its jovial nature. After you roll and kick your way through a few simple puzzles, they come around and realise that you aren’t what they think. Venturing outside for the first time in a long time, local villagers presume him to be The Beast: a fearsome monster that’s the stuff of urban legend. You play as a red ball with kangaroo-esque legs (honestly, that’s about as accurate as I can get) as he’s awoken from a deep sleep. Unfortunately, the tale of “The Beast” and a corporation fails to make much of a dent in the surface of its own mystery - just as it’s beginning to get interesting, the finale abruptly arrives and the credits roll. Pitched as a dystopian puzzle platformer, Pikuniku offers an eccentric take on well-worn conventions that delights with its off-kilter nature and big load of kicking. While it may have a name akin to an early Pokémon and an aesthetic that promises a bright and breezy time, there’s a darkness just beneath the surface of Pikuniku. |
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